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For the primary shot, we prepare the Reflex on a gradual stand and my assistant held the sunshine over her for directional subtle. I didn’t need flat, straight-on lighting fixtures, I sought after to create size with butterfly-style subtle. For this shot I introduced the sunshine very in relation to Blair’s face, and on account of the inverse-square regulation of sunshine, the falloff used to be as soon as once very rapid, inflicting the background to move tremendous darkish.
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