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Interview with Alan Nafzger
At the back of the Scenes of “Zuckerberg vs Musk: Cage Battle“
Through Katy Room
Katy Room: Alan, thanks for sitting down with me nowadays to speak about your riveting script, “Zuckerberg vs Musk: Cage Battle.” Your screenplay has captured the imaginations of many. Let’s delve into some key scenes.
Scene 1: The Fallout and the Apocalyptic Overtones
Katy Room: Scene 1 is about in Minute Maid Park, and it is an emotionally charged second between Musk and Zuckerberg. Each characters transfer between panic, desperation, and humor. What impressed you to juxtapose those intense feelings in this kind of claustrophobic atmosphere?
Alan Nafzger: The cage combat is the epitome of bodily combat, however what occurs when those sturdy personalities are confined via cases? I sought after to discover the vulnerability and desperation they could really feel, offset via humor, to lead them to extra human and relatable.
The Position of Era and Human Connection
Katy Room: The characters make pressing calls to their households. What are you seeking to put across right here in regards to the dating between generation and human connections?
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Alan Nafzger: In spite of being pioneers in generation, each are reliant at the maximum elementary type of conversation—a choice to their family members. It is a second that presentations that regardless of how complex we grow to be, our fundamental human wishes stay the similar.
Scene 2 & 3: Place of business Dynamics and Twittersphere
Katy Room: Scene 2 and three are set in Musk and Zuckerberg’s respective places of work. How did you make a decision what parts to incorporate within the background to represent their distinct focuses?
Alan Nafzger: Musk’s center of attention on house and innovation is starkly contrasted via Zuckerberg’s earth-centric manner. I assumed the sophisticated place of business decor would offer an additional layer of intensity to those characters, making their variations extra obvious.
The Twitter Battleground
Katy Room: Twitter performs a the most important function right here. Why did you select this platform as their battleground?
Alan Nafzger: Twitter has grow to be this modern day enviornment the place titans conflict, no longer with swords, however with phrases. I assumed it will be the absolute best level for 2 influential figures to have interaction in a fight of wits and philosophies.
Scene 4 & 5: The War of words and Place of business Debate
Katy Room: Scene 4 options Musk in his Tesla, obviously agitated. How does this scene advance the continued discussion about privateness and knowledge assortment?
Alan Nafzger: Musk is steadily observed as this calm, rational determine. I sought after to show off a second of vulnerability, the place his personal generation satirically provides to his pressure. It is usually a possibility to carry up problems about privateness, appearing that even those that make the generation don’t seem to be resistant to its pitfalls.
The Significance of Empathy
Katy Room: Scene 5 presentations a fascinating debate amongst Fb staff. How does this upload to Zuckerberg’s narrative concerning the significance of empathy and human connection?
Alan Nafzger: The talk amongst Fb staff is a microcosm of the bigger dialog going down between Zuckerberg and Musk. It reiterates Zuckerberg’s philosophy—bridges are about connecting other people, identical to social media.
Katy Room: Alan, your script tackles some intense issues whilst keeping up a humorousness and humanity. Thanks for sharing your insights with us nowadays.
Alan Nafzger: Thanks for having me, Katy. It was once a excitement to delve into the intricacies of the script with you.
Katy Room: And that wraps up our behind-the-scenes have a look at “Zuckerberg vs Musk: Cage Battle.” From the cage to the cosmos, this screenplay gives a compelling exploration of generation, humanity, and the private battles of 2 of nowadays’s maximum enigmatic figures. Keep tuned for extra.
Scene 6 & 7: The Thumb Struggle and Bedside Twitter
Katy Room: Scene 6 brings in levity with a thumb struggle, contrasting with the depth of a Twitter duel in Scene 7. How do you suppose this humor provides to the storytelling?
Alan Nafzger: Humor is a handy gizmo for dropping gentle at the human aspect of those larger-than-life characters. It makes them relatable, appearing that regardless of their huge affect, they’re simply other people navigating thru a chain of demanding situations and feelings like someone else.
Scene 8: Colbert’s Display and the Bet
Katy Room: The guess proposed on Stephen Colbert’s display provides an additional layer of suspense. How did you get a hold of this kind of distinctive guess, particularly the funny twist about proudly owning MySpace?
Alan Nafzger: I sought after to spotlight the stakes whilst including a comedic layer. The guess amplifies the stress, and the MySpace shaggy dog story serves as a reminder of the way brief luck within the tech international will also be.
Scene 9 & 10: Up the Ante
Katy Room: Scene 9 and 10 introduce extra at stake, together with controlling the opposite’s Twitter. Is that this a nod to the giant affect those platforms have over the narrative?
Alan Nafzger: Precisely. It’s a dramatized solution to underline how a lot energy is living in those platforms, and the way even those titans of tech don’t seem to be past being influenced or doubtlessly compromised via them.
Scene 11 & 12: Agreeing Phrases and Public Debate
Katy Room: Scene 11 and 12 get us to a public discussion board, a press convention the place each Zuckerberg and Musk agree on phrases. How do you depict their competition becoming mutual appreciate?
Alan Nafzger: Via their banter and negotiations, they start to see each and every different no longer simply as adversaries however as equals. There’s a way of appreciate for each and every different’s mind and for the sport itself, which units the level for an enchanting showdown.
Scene 13 & 14: The Grand Debate and Social Media Frenzy
Katy Room: The talk in Scene 13 reasons a real-life meals combat in a Google cafeteria in Scene 14. Is that this a remark on how deeply those debates penetrate into our day-to-day lives?
Alan Nafzger: Completely. This hyperbolic depiction serves to emphasise how divided now we have grow to be as a society, steadily because of the agendas and narratives driven via influential figures and platforms.
Scene 15: The Ultimate War of words
Katy Room: The screenplay involves a head with Musk studying concerning the debate on-line and issuing a bodily disagreement. What led you to this explosive climax?
Alan Nafzger: The virtual realm can most effective include such a lot pressure sooner than it spills over into the genuine international. The bodily disagreement is without equal embodiment in their contrasting philosophies and ambitions. It’s the general frontier for his or her fight.
Scene 16 & 17: Input Dana White
Katy Room: UFC president Dana White enters the image in those scenes. Let us know about his involvement and the way he is helping escalate the stress.
Alan Nafzger: Dana White serves because the catalyst to transform this virtual sparring right into a bodily cage fit. His presence provides legitimacy to the combat, and his comedic remarks upload a lighter tone.
Scene 18 & 19: Media Frenzy and Digital Press Convention
Katy Room: After Dana White concurs to the combat, the media is going wild. How necessary was once this press protection to the script?
Alan Nafzger: The media protection amplifies the stakes and captures public hobby. It is usually a nod to the real-world energy that media holds in shaping our views.
Scene 20: The Philanthropic Perspective
Katy Room: Each Musk and Zuckerberg pledge $100 million to charities in the event that they win. What brought about this inclusion?
Alan Nafzger: It provides every other layer of complexity to the combat, making sure it isn’t simply an ego conflict but in addition a fight with considerable societal affects.
Scene 21 to twenty-five: Public Response
Katy Room: The script now is going into public areas—bars, dorms, and many others. Why did you’re feeling it was once vital to incorporate those various places?
Alan Nafzger: Those scenes emphasize how pervasive the development has grow to be. Whether or not you might be at a bar or a dorm, persons are speaking about it. The various places spotlight the script’s common attraction.
Scene 26: The Involved Aged
Katy Room: An aged couple discussing the development introduces a fascinating viewpoint.
Alan Nafzger: They constitute a demographic much less engaged in tech however nonetheless suffering from its broader penalties. The grandmother’s fear provides a slightly of humanity to the spectacle.
Scene 27 & 28: Comedic Takes
Katy Room: YouTubers and comedians like John Oliver upload humor to the combo. Is humor a key part for you?
Alan Nafzger: Humor acts as a social remark, chopping throughout the pressure and serving to us replicate at the match’s absurdity.
Scene 29 & 30: Coaching Montages
Katy Room: Charles Barkley discusses the educational regimes of Zuckerberg and Musk. What was once the idea in the back of those elaborate coaching montages?
Alan Nafzger: Coaching montages are a staple in any combat movie. It is the place we see the characters’ vulnerabilities and their dedication, including intensity to their personas.
Scene 31 & 32: The Ultimate Countdown
Katy Room: The script closes with a have a look at how the educational is being won via the general public. How did you envision finishing the script?
Alan Nafzger: It’s a nod to the facility of public opinion. It underscores that past the combat, it is a fight for the narrative. And so, the general public’s response acts as a last pass judgement on sooner than without equal showdown.
Scene 33 & 34: World Anticipation and Fan Critiques
Katy Room: The worldwide anticipation builds up in those scenes, particularly with enthusiasts heatedly arguing in sports activities bars. Alan, how do you spot this international hobby taking part in out within the narrative?
Alan Nafzger: The scenes serve to underline simply how international this match has grow to be. From on a regular basis enthusiasts in sports activities bars to global sports activities protection, the combat isn’t just an American phenomenon however a world sensation.
Scene 35 to 37: The Social Media War
Katy Room: Each Musk and Zuckerberg take to social media, but their approaches vary. May you elaborate on that?
Alan Nafzger: Completely. Musk is more uncomplicated, emphasizing the charitable attitude. Zuckerberg, alternatively, mocks Musk’s collection of platform, which presentations their contrasting kinds, no longer simply in trade however in lifestyles.
Scene 38 & 39: Coaching and Viral Hypothesis
Katy Room: We go back to coaching scenes and in addition see social media analysts speculating on sequels. Are sequels one thing you’ve thought to be?
Alan Nafzger: The social media hypothesis is extra of a nod to how viral phenomena like this can result in more than a few spin-offs or sequels. So, sure, it is one thing at the desk however no longer outlined but.
Scene 40 to 42: Broadening the Horizon
Katy Room: Those scenes incorporate discussions from newsrooms to the Italian Tradition Minister’s place of business. How necessary was once it to incorporate those various views?
Alan Nafzger: Those are intentional inclusions to turn the combat’s far-reaching implications, from information protection to cultural or even global discussions.
Scene 43 & 44: The Famous person Lens
Katy Room: Conor McGregor, Jeff Goldblum, and Invoice Murray seem. What do those superstar interactions carry to the tale?
Alan Nafzger: They carry levity and cultural foreign money. McGregor’s promotional abilities carry the combat’s profile, whilst Goldblum and Murray supply a comical and philosophical take, making the storyline even richer.
Scene 45 & 46: The Political and Moral Angles
Katy Room: We move as prime because the Oval Place of business, discussing prison and moral facets. Is that this a remark at the scale of affect tech moguls cling?
Alan Nafzger: Exactly. It’s a remark on how deeply ingrained those tech figures are in our society that their movements warrant dialogue on the absolute best ranges of presidency.
Scene 47 to 49: The What-Ifs and Marketplace Implications
Katy Room: From Italian regrets to Wall Side road debates and political calculations, you discover the development’s have an effect on on more than a few sectors. What is your take in this?
Alan Nafzger: The various scenes intensify how the combat isn’t only a one-off match however a catalyst for discussions in tradition, politics, and economics.
Scene 50 & 51: The Houston Issue
Katy Room: Houston turns into the selected location for the combat. What does this upload to the script?
Alan Nafzger: Houston represents a mix of American custom and long run aspirations, similar to our two protagonists. The site thus turns into a personality in itself.
Scene 52: The Ultimate Countdown
Katy Room: Meryl Streep and Colin Fletcher analyze leaked coaching pictures within the ultimate scene. A singular solution to finish issues?
Alan Nafzger: It’s a nod to the eclectic nature of this complete saga. Who higher to investigate a tech rich person combat than a mythical actress and an MMA knowledgeable?
Without a doubt, Katy. My apologies for the oversight.
Interview with Alan Nafzger on Key Scenes 53-66 of “Zuckerberg vs. Musk: Cagefight“
Interviewer, Katy Room: Alan, on your screenplay, the phenomenon of this Zuckerberg-Musk cage combat turns out to pass global limitations, even appearing up in a traumatic scene on the North and South Korean DMZ. What impressed you to make this a global spectacle?
Alan Nafzger: The combat between those two titans is not simply an American hobby tale. Those males constitute international enterprises and their competition speaks to larger questions on energy and generation that everybody all over the world grapples with.
Making a bet and the American Psyche
Interviewer, Katy Room: Vegas sportsbooks are humming within the scenes you could have written. How do you spot this cage combat reflecting or impacting the tradition of sports activities making a bet in The usa?
Alan Nafzger: I sought after to seize the spirit of American entrepreneurship and risk-taking. When you’ve got two large personalities duking it out, you’ll guess American citizens will desire a stake within the end result, rather actually.
Scientific Ethics and Dramedy
Interviewer, Katy Room: An excellent period of time is spent on clinical examinations for Musk and Zuckerberg, even bringing humor into those scenes. What is the message you might be seeking to put across right here?
Alan Nafzger: Those don’t seem to be athletes; they are tech moguls. So, there is a layer of absurdity in them present process clinical tests as though they are moving into the UFC octagon. But, it is severe—clinical ethics should not be lost sight of simply for the reason that combat is a spectacle.
The Position of Media and Conspiracy Theories
Interviewer, Katy Room: From tabloid newsrooms to YouTube conspiracy theorists, you could have portrayed more than a few sorts of media amplifying the combat’s hype. What are you pronouncing concerning the function of media in such occasions?
Alan Nafzger: We are living in an age the place media is usually a circus replicate, each reflecting and distorting fact. Whether or not it is a tabloid or a YouTuber like Gary, everybody has an attitude, and the combat turns into a vessel for more than a few narratives.
Nearing the Battle: Arrangements and Considerations
Interviewer, Katy Room: The scenes main as much as the combat are filled with pressure and considerations, each non-public {and professional}, for Zuckerberg and Musk. Why did you select to concentrate on those facets?
Alan Nafzger: Smartly, I sought after to turn that they are human beings. They’ve considerations, households, companies to run. This combat is a spectacle, however it is also a big lifestyles match for either one of them.
Ultimate-Minute Laws and Group Dynamics
Interviewer, Katy Room: Alan, Scene 67 portrays a heated dialogue between Zuckerberg and Sheryl Sandberg a couple of last-minute rule alternate. Why did you select to incorporate this inside battle?
Alan Nafzger: In a atmosphere as unstable as a cage combat, a last-minute rule alternate is usually a game-changer. The conflict between Zuckerberg and Sandberg provides intensity to their characters and presentations that even a close-knit group will have cracks when prime stakes are concerned.
Tensions, Safety, and the Spectacle of the Weigh-In
Interviewer, Katy Room: The weigh-in scenes are fraught with pressure and elaborate safety features. What message are you seeking to put across right here?
Alan Nafzger: Safety is not only about bodily protection; it is a manifestation of the power and international hobby within the combat. The weigh-in, normally a formality in wearing occasions, turns into a level the place each males will have to confront their bodily and mental readiness for the combat.
Emotionally Charged Moments Ahead of the Battle
Interviewer, Katy Room: You will have written scenes the place each Zuckerberg and Musk have non-public moments to consider the combat’s importance. Why come with those softer, extra emotional scenes?
Alan Nafzger: Those males don’t seem to be simply CEOs; they’re human beings with lives outdoor of the hoop. I sought after to show off that pressure between their public personas and personal anxieties, whether or not it is Zuckerberg seeking to meditate or Musk considering his SpaceX desires.
Societal Divides and Protests: A Replicate to Truth
Interviewer, Katy Room: Scenes 72 thru 84 show off a global past the combat, pertaining to protests and societal divides. Why did you suppose it was once crucial to function this?
Alan Nafzger: The combat itself is a microcosm of bigger societal problems—capitalism, affect, ethics, even international peace. The protesters and more than a few teams replicate the divided evaluations and the possible penalties of creating a spectacle out of such severe problems.
The Level of No Go back: Chaos Unleashed
Interviewer, Katy Room: The latter scenes point out some degree of no go back, resulting in a blackout and escalating violence. Why finish this phase on this kind of darkish be aware?
Alan Nafzger: I sought after to construct a crescendo that mimics the mounting pressure in society nowadays. The blackout symbolizes the purpose the place issues can both to find answer or erupt into chaos, and it leaves the reader—or viewer—wondering the place we are headed as a society.
Order Out of Chaos: The Aftermath
Interviewer, Katy Room: Alan, Scene 85 presentations the aftermath of the chaos. Police and emergency responders are at the scene, and reporters are reporting. Is that this a second of reckoning for the group?
Alan Nafzger: Completely. The aftermath serves as a pause button for everybody to replicate at the movements and penalties. It is a stark reminder that the development has spiraled into one thing a lot larger than only a combat between two tech moguls.
Media’s Position within the Mayhem
Interviewer, Katy Room: Anthony and Taisha within the press field speak about how the media will have exacerbated the location. How do you spot the function of the media right here?
Alan Nafzger: The media’s function is dual-edged. On one hand, they are reporting the details; at the different, the way in which they body those occasions can fan the flames. Anthony and Taisha are acutely aware of this subtle steadiness, main them to query their very own have an effect on at the unfolding chaos.
Public Pleas for Calm
Interviewer, Katy Room: Each Musk and Zuckerberg factor public pleas for calm. How efficient are those within the context of your screenplay?
Alan Nafzger: I feel they seize the essence of each males completely. Zuckerberg is buoyant and charismatic, whilst Musk is stern and intense. Their appeals no longer most effective distinction their personalities but in addition display that they perceive the gravity of the location. Their blended message, apparently, does appear to quell the chaos.
Getting ready for the Showdown
Interviewer, Katy Room: The next scenes display each and every guy in his component—Zuckerberg together with his Fb moderators and Musk with robot coaches. Why depict those scenes?
Alan Nafzger: The locker room scenes are the calm sooner than the typhoon. They are supposed for instance the variations between the 2 males—no longer simply their control kinds but in addition their philosophies and the way they get ready for a fight of this magnitude.
A Non permanent Ceasefire: Anticipation Replaces Violence
Interviewer, Katy Room: Simply as briefly because the violence erupted, it quells. What does this unexpected shift represent?
Alan Nafzger: It presentations the facility of a collective center of attention. In spite of their variations, persons are united of their anticipation of the combat, underscoring how simply public consideration will also be redirected, for higher or worse.
The Grand Entrances: Showcasing Philosophies
Interviewer, Katy Room: The entrances of Musk and Zuckerberg are grand spectacles. How did you make a decision at the song and visuals?
Alan Nafzger: The entrances are extensions in their personalities and missions. Zuckerberg’s theme, U2’s “One,” indicates team spirit and connection, which might be on the core of Fb’s venture. Musk’s collection of “Area Oddity” highlights his ambitions past Earth. Those entrances serve to encapsulate who those males are and what they stand for.
The Famous person Component: Ringside with Jesse Eisenberg and Ronda Rousey
Interviewer, Katy Room: Scene 100 introduces superstar reporters. What do they upload to the narrative?
Alan Nafzger: Jesse Eisenberg and Ronda Rousey carry a unique viewpoint to the development. Eisenberg has portrayed Zuckerberg on display screen, whilst Rousey understands the dynamics of a bodily combat. Their banter provides a component of each humor and experience, rounding out the multifaceted viewpoints in this remarkable match.
Every scene you could have requested about provides layers of complexity to the narrative, making the combat greater than only a bodily contest—it is a battleground for ideologies, social problems, and private philosophies.
I say sorry for the confusion. Let’s pivot again to an interview layout.
Alan Nafzger at the Cinematic Transition from Cage Battle to Zombie Apocalypse
SCENE 101 to 103: The Construct-up
Katy Room: Alan, the screenplay in point of fact alternatives up from SCENE 101 the place Invoice Gates, of all other people, is the hoop announcer. What was once the idea procedure in the back of such an ordinary selection?
Alan Nafzger: Smartly, the combat scenes have been designed to be extra than simply two tech titans duking it out. We needed so as to add layers of intrigue and wonder. Having Invoice Gates as the hoop announcer throws in a component of irony and unpredictability.
SCENE 104: The Essential Spherical
Katy Room: Scene 104 portrays no longer only a bodily contest however a conflict of ideologies. How did you steadiness this intricate narrative?
Alan Nafzger: Scene 104 is the most important. It’s no longer almost about fists and grapples; it’s additionally a replicate to society’s divisions. The coaches and the commentators replicate those undercurrents, making it a multi-dimensional revel in for the target market.
SCENE 105: Zombie Apocalypse Unleashed
Katy Room: Simply once we suppose it’s all a couple of cage combat, you throw in a zombie apocalypse! That is a gutsy transfer. What impressed this shift in tone?
Alan Nafzger: Ah, the zombie twist. We needed so as to add an exterior risk that will pressure those adversaries to rethink their enmity. What higher means than a not unusual enemy that desires to devour them?
SCENE 106 and 107: Survival Mode
Katy Room: In opposition to the top, Musk and Zuckerberg transition from being competition to survivors. May you discuss this dynamic alternate?
Alan Nafzger: Completely. To begin with, they are at loggerheads, even preventing over a pistol. However survival intuition kicks in, they usually notice that the genuine enemy is outdoor the cage. This shift was once the most important to turn persona enlargement and the bigger theme of team spirit towards a not unusual adversary.
Katy Room: Your screenplay combines parts of sports activities drama, horror, and political undertones in an abnormal atmosphere. How did you set up to mix those genres so seamlessly?
Alan Nafzger: It is about discovering a not unusual thread. On this case, it is the concept of pageant — be it for social affect, bodily supremacy, or survival. The genres may appear disparate, however they arrive in combination thru this core idea.
Katy Room: One can not assist however suppose this can be a billion-dollar concept, as Dana White discussed. Do you suppose the movie lives as much as that expectation?
Alan Nafzger: Smartly, I feel Dana White’s remark captures the essence of what we are seeking to do. We are pushing limitations right here. It’s no longer only a combat; it’s a spectacle, a societal mirrored image, and now, a survival saga. If that is not value a thousand million bucks, I don’t know what’s.
The Ultimate Act: A Rollercoaster of Feelings and Technique
SCENE 108: A Breather Amidst the Chaos
Katy Room: Scene 108 is a pause for the target market in addition to the characters, with McGregor making a fog for defense and Zuckerberg appearing off his marksman abilities. Why come with a concession stand scene right here?
Alan Nafzger: The concession stand scene serves as a temporary respite, permitting characters to regroup and show off person abilities. It is like the attention of the typhoon, momentarily calm but surrounded via the tempest.
SCENE 109 to 110: Stairwell and Carrier Hall
Katy Room: Your script takes a fascinating flip with retired MMA warring parties sacrificing themselves. Why this choice?
Alan Nafzger: It is a tribute to the ethos of MMA—valor, sacrifice, and teamwork. It additionally builds pressure; if those professional warring parties are prepared to present their lives, the risk will have to be critical.
SCENE 111 to 114: At the Cusp of Protection
Katy Room: Musk and Zuckerberg lock themselves within the locker room. How does this isolation give a contribution to the unfolding drama?
Alan Nafzger: The isolation magnifies their vulnerability. They have misplaced their bodyguards, and now it is simply them, reinforcing the perception that they are able to most effective depend on each and every different regardless of their variations.
SCENE 115 to 117: McGregor’s Ultimate Stand
Katy Room: The Tennyson reference all through McGregor’s combat—what brought about that literary contact?
Alan Nafzger: McGregor is embodying heroism, similar to Tennyson’s characters. It is a poetic nod to the gravity and possible futility of his combat.
SCENE 118: The Atomic Watermelon
Katy Room: An “atomic watermelon” makes an look. How practical is that this on the planet you could have created?
Alan Nafzger: It’s kind of of a hyperbole however grounded in factual army generation. It serves as a ticking clock, including urgency to the break out makes an attempt.
SCENE 119 to 121: Ultimate Confrontations
Katy Room: There’s a shift in surroundings as we see the devastation of the zombie assault is whole. May you elaborate at the emotional pivot right here?
Alan Nafzger: After the action-packed sequences, those scenes pull the lens again to the characters’ emotional states. It’s the aftermath, reflecting the horror and disbelief of what simply transpired.
SCENE 122: The Unresolved Finishing
Katy Room: The screenplay ends on an open be aware. Is that this a setup for a sequel?
Alan Nafzger: It leaves room for interpretation and long run storytelling. The competition between Musk and Zuckerberg stays, and the arena remains to be unsure, making it an open-ended conclusion.
Katy Room: In spite of the horrors, there’s banter between Musk and Zuckerberg. What does this say about their characters?
Alan Nafzger: It’s a nod to the indomitable human spirit and a peek into their complicated dating—aggressive but respectful. Even after preventing zombies, some issues by no means alternate.
Katy Room: Thanks, Alan, for this enlightening dialog about your screenplay, which has intrigued each the business and the target market. It’s an abnormal mixture of motion, humor, and deeper issues. Actually a billion-dollar concept.
Alan Nafzger: Thanks, Katy. It is been a excitement discussing the nuances of what could be my maximum audacious paintings but. I will most effective hope the target market reveals it as attractive as this dialog.
Zuckerberg vs Musk Cage Battle Picture Gallery
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